I know there was a lot of buzz about "Waiting for Superman"...

But have you ever heard of this film The Cartel, a friend told me about it.

The Cartel shows us our educational system like we've never seen it before. Behind every dropout factory, we discover, lurks a powerful, entrenched, and self-serving cartel. But The Cartel doesn't just describe the problem. Balancing local storylines against interviews with education experts such as Clint Bolick (former president of Alliance for School Choice), Gerard Robinson (president of Black Alliance for Educational Options), and Chester Finn (president of the Thomas B. Fordham Institute), The Cartel explores what dedicated parents, committed teachers, clear-eyed officials, and tireless reformers are doing to make our schools better for our kids.

This movie will force the scales to fall from the eyes of policymakers, education officials, reformers, intellectuals, teachers, and taxpayers. Putting a human face on the harm done by the educational cartel, The Cartel takes us beyond the statistics, generalizations, and abstractions that typically frame our debates about education—and draws an unequivocal bottom line: If we care about our children's futures, we must insist upon far-reaching and immediate reform. And we must do it now.

If you know very little about Waiting for Superman, here is a brief description:

For a nation that proudly declared it would leave no child behind, America continues to do so at alarming rates. Despite increased spending and politicians’ promises, our buckling public-education system, once the best in the world, routinely forsakes the education of millions of children. Filmmaker Davis Guggenheim reminds us that education “statistics” have names: Anthony, Francisco, Bianca, Daisy, and Emily, whose stories make up the engrossing foundation of WAITING FOR SUPERMAN. As he follows a handful of promising kids through a system that inhibits, rather than encourages, academic growth, Guggenheim undertakes an exhaustive review of public education, surveying “drop-out factories” and “academic sinkholes,” methodically dissecting the system and its seemingly intractable problems. However, embracing the belief that good teachers make good schools, and ultimately questioning the role of unions in maintaining the status quo, Guggenheim offers hope by exploring innovative approaches taken by education reformers and charter schools that have—in reshaping the culture—refused to leave their students behind.

You know The Cartel ought to play at my local movie house. It does exhibit movies to a largely Black audience. Late last month it played host to Waiting for Superman and there was even a panel discussion for this film.